“Correspondences” analysis of the poem

Charles Baudelaire Analysis

An analysis of Baudelaire’s poem “Correspondences” will help you prepare for the lesson.

“Correspondences” Baudelaire analysis

The author is Charles Baudelaire

Poetry genre: sonnet (14 lines, two tar and two tercetas).

The basic idea: life is multifaceted and unknown.

The poem Correspondence was probably written in 1855; in all editions of the collection “Flowers of Evil” it is the fourth in the cycle.

In the center of the poem is the theme of the mysterious correspondences of visible nature and invisible entities. Man lives in the temple of nature. And since nature is a temple, its colors and colors, all its flavors and tones are just different codes of the same language in which it manifests itself.

The poem has many visual and sensual images. The author conveys sounds and smells. The reader smells of perfume, “the spirit of amber, incense, the spirit of tansy and benzoic”, “sees” green meadows, forests, endless fields. Everyone has to find their “correspondences” and to know the meaning of being.

This work has become something of a manifestation of symbolism. It states that sensual things are symbols of hidden reality, and therefore there may be correspondences between their expression in smells, colors and sounds. In poetry, a lot of mysterious, intuitive, subconscious.

The poet encourages readers to join in the mysterious and unknown mystery of being, to feel the integrity and unity of all things. Every reader can interpret poetry symbols in their own way, because they are always meaningful.

“Correspondences” by Charles Baudelaire in English

Nature is a temple in which living pillars
Sometimes give voice to confused words;
Man passes there through forests of symbols
Which look at him with understanding eyes.

Like prolonged echoes mingling in the distance
In a deep and tenebrous unity,
Vast as the dark of night and as the light of day,
Perfumes, sounds, and colors correspond.

There are perfumes as cool as the flesh of children,
Sweet as oboes, green as meadows
— And others are corrupt, and rich, triumphant,

With power to expand into infinity,
Like amber and incense, musk, benzoin,
That sing the ecstasy of the soul and senses.

— William Aggeler

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